(Viola Davis pictured)
This film based on the bestseller by Kathryn Stockett is causing a sensation and the Oscar buzz is that all actresses, including Viola Davis and Octavia Spencer should be nominated. Film also costars Sissy Spacek, Allison Janney, Mary Steenburgen and Cicely Tyson.
Friday, August 26, 2011
Sunday, June 19, 2011
Nights in Rodanthe (2008)
I happened to tune into George C. Wolfe's Nights in Rodanthe on Lifetime recently and quite by accident. I love Diane Lane, and for me, her deep emotional connection to this woman is the reason to see the film. Richard Gere is also very good as a doctor who lost a patient on the operating table. His attempt to cope and connect to his doctor son (uncredited James Franco) is at the core of the plot. Lane meets him at a North Carolina inn that she is tending for a friend, and of course, they fall in love. And I'm sure the love scenes were edited for cable, and so, I should rent the dvd to see the max. After all there's a hurricane raging outside, so there must be more than meets the eye under the sheets! Plotwise, she insists that he make a fuller commitment to face his demons head on; he does, and this ends up changing him for the better. Lane is luminous as always. What a great actress! The film does not have the impact of The Bridges of Madison County, but is still worth viewing, if not for anything other than to relish Lane's performance and view that gorgeous North Carolina beachfront scenery.
Sunday, February 27, 2011
Sunday, February 13, 2011
review - The King's Speech
Bravo, bravo, bravo to this beautifully opulent and honest look at the speech problems of the Duke of York, played so brilliantly by Colin Firth. Also starring Helena Bonham Carter, Geoffrey Rush (wonderful!), Guy Pearce, Derek Jacobi, Michael Gambon and Claire Bloom, this film appeals to all those - many, many - who have problems with stammering due to fear of public speaking.
What makes this true-to-life study of members of the royal family so fascinating, apart from Tom Hooper's loving eye as director, is how a layman affects their lives. Rush's character is a typical example of a learned man whose experience as speech coach is invaluable, yet he is looked down upon by the King's court because of his station and lack of credentials. When he proves his mettle, he becomes a trusted friend and ally.
Lovely script and brilliant work from everyone involved. Should pick up many awards, especially for Firth as Best Actor.
Go see it!
What makes this true-to-life study of members of the royal family so fascinating, apart from Tom Hooper's loving eye as director, is how a layman affects their lives. Rush's character is a typical example of a learned man whose experience as speech coach is invaluable, yet he is looked down upon by the King's court because of his station and lack of credentials. When he proves his mettle, he becomes a trusted friend and ally.
Lovely script and brilliant work from everyone involved. Should pick up many awards, especially for Firth as Best Actor.
Go see it!
Tuesday, January 25, 2011
Monday, January 17, 2011
GOLDEN GLOBE WINNERS
The 68th Golden Globe® Awards aired LIVE coast-to-coast Sunday night, January 16, 2011 on NBC from 5:00-8:00 p.m. (PST) /8:00-11:00 p.m. (EST) from the Beverly Hilton Hotel with host Ricky Gervais.
FILM
BEST PICTURE, DRAMA
BLACK SWAN
The Fighter
Inception
The King's Speech
***WINNER The Social Network
BEST PICTURE, MUSICAL OR COMEDY
Alice in Wonderland
Burlesque
***WINNER The Kids Are All Right
Red
The Tourist
BEST DIRECTOR
Darren Aronofsky, BLACK SWAN
***WINNER David Fincher, The Social Network
Tom Hooper, The King's Speech
Christopher Nolan, Inception
David O. Russell, The Fighter
BEST ACTOR, DRAMA
Jesse Eisenberg, The Social Network
***WINNER Colin Firth, The King's Speech
James Franco, 127 Hours
Ryan Gosling, Blue Valentine
Mark Wahlberg, The Fighter
BEST ACTRESS, DRAMA
Halle Berry, Frankie and Alice
Nicole Kidman, Rabbit Hole
Jennifer Lawrence, Winter's Bone
***WINNER Natalie Portman, BLACK SWAN
Michelle Williams, Blue Valentine
BEST ACTOR, COMEDY OR MUSICAL
Johnny Depp, Alice in Wonderland
Johnny Depp, The Tourist
***WINNER Paul Giamatti, Barney's Version
Jake Gyllenhaal, Love and Other Drugs
Kevin Spacey, Casino Jack
BEST ACTRESS, COMEDY OR MUSICAL
***WINNER Annette Bening, The Kids Are All Right
Anne Hathaway, Love and Other Drugs
Angelina Jolie, The Tourist
Julianne Moore, The Kids Are All Right
Emma Stone, Easy A
BEST SUPPORTING ACTOR
***WINNER Christian Bale, The Fighter
Michael Douglas, Wall Street 2
Andrew Garfield, The Social Network
Jeremy Renner, The Town
Geoffrey Rush, The King's Speech
BEST SUPPORTING ACTRESS
Amy Adams, The Fighter
Helena Bonham Carter, The King's Speech
Mila Kunis, BLACK SWAN
***WINNER Melissa Leo, The Fighter
Jacki Weaver, Animal Kingdom
BEST SCREENPLAY
Danny Boyle and Simon Beaufoy, 127 Hours
Lisa Cholodenko and Stuart Blumberg, The Kids Are All Right
Christopher Nolan, Inception
David Seidler, The King's Speech
***WINNER Aaron Sorkin, The Social Network
BEST ANIMATED FEATURE
Despicable Me
How To Train Your Dragon
The Illusionist
Tangled
***WINNER Toy Story 3
BEST FOREIGN LANGUAGE FILM
Biutiful
The Concert
The Edge
I Am Love
***WINNER In A Better World
BEST ORIGINAL SCORE
Alexandre Desplat, The King's Speech
Danny Elfman, Alice in Wonderland
A.R. Rahman, 127 Hours
***WINNER Trent Reznor and Atticus Ross, The Social Network
Hans Zimmer, Inception
BEST ORIGINAL SONG
"Bound to You," Burlesque
"Coming Home," Country Strong
"I See the Light," Tangled
"There's A Place For Us," Chronicles of Narnia: Voyage of the Dawn Treader
***WINNER "You Haven't Seen The Last of Me," Burlesque
BLACK SWAN
The Fighter
Inception
The King's Speech
***WINNER The Social Network
BEST PICTURE, MUSICAL OR COMEDY
Alice in Wonderland
Burlesque
***WINNER The Kids Are All Right
Red
The Tourist
BEST DIRECTOR
Darren Aronofsky, BLACK SWAN
***WINNER David Fincher, The Social Network
Tom Hooper, The King's Speech
Christopher Nolan, Inception
David O. Russell, The Fighter
BEST ACTOR, DRAMA
Jesse Eisenberg, The Social Network
***WINNER Colin Firth, The King's Speech
James Franco, 127 Hours
Ryan Gosling, Blue Valentine
Mark Wahlberg, The Fighter
BEST ACTRESS, DRAMA
Halle Berry, Frankie and Alice
Nicole Kidman, Rabbit Hole
Jennifer Lawrence, Winter's Bone
***WINNER Natalie Portman, BLACK SWAN
Michelle Williams, Blue Valentine
BEST ACTOR, COMEDY OR MUSICAL
Johnny Depp, Alice in Wonderland
Johnny Depp, The Tourist
***WINNER Paul Giamatti, Barney's Version
Jake Gyllenhaal, Love and Other Drugs
Kevin Spacey, Casino Jack
BEST ACTRESS, COMEDY OR MUSICAL
***WINNER Annette Bening, The Kids Are All Right
Anne Hathaway, Love and Other Drugs
Angelina Jolie, The Tourist
Julianne Moore, The Kids Are All Right
Emma Stone, Easy A
BEST SUPPORTING ACTOR
***WINNER Christian Bale, The Fighter
Michael Douglas, Wall Street 2
Andrew Garfield, The Social Network
Jeremy Renner, The Town
Geoffrey Rush, The King's Speech
BEST SUPPORTING ACTRESS
Amy Adams, The Fighter
Helena Bonham Carter, The King's Speech
Mila Kunis, BLACK SWAN
***WINNER Melissa Leo, The Fighter
Jacki Weaver, Animal Kingdom
BEST SCREENPLAY
Danny Boyle and Simon Beaufoy, 127 Hours
Lisa Cholodenko and Stuart Blumberg, The Kids Are All Right
Christopher Nolan, Inception
David Seidler, The King's Speech
***WINNER Aaron Sorkin, The Social Network
BEST ANIMATED FEATURE
Despicable Me
How To Train Your Dragon
The Illusionist
Tangled
***WINNER Toy Story 3
BEST FOREIGN LANGUAGE FILM
Biutiful
The Concert
The Edge
I Am Love
***WINNER In A Better World
BEST ORIGINAL SCORE
Alexandre Desplat, The King's Speech
Danny Elfman, Alice in Wonderland
A.R. Rahman, 127 Hours
***WINNER Trent Reznor and Atticus Ross, The Social Network
Hans Zimmer, Inception
BEST ORIGINAL SONG
"Bound to You," Burlesque
"Coming Home," Country Strong
"I See the Light," Tangled
"There's A Place For Us," Chronicles of Narnia: Voyage of the Dawn Treader
***WINNER "You Haven't Seen The Last of Me," Burlesque
Wednesday, January 12, 2011
(From the Past) Chuck and Buck (2000)
Chuck and Buck
written by Mike White
directed by Miguel Arteta
starring (pictured) Mike White & Chris Weitz
Chuck and Buck is an indie frequently screened on Logo. The last time I watched, it was more mesmerizing to me than usual. I saw beyond the expected.
Obviously, White's character Buck is an underdog, a poor half-child who has never made it out of the time capsule in which he has been living his empty life. His mother has died, he's alone with the fantasy of a continued intimate relationship with his boyhood friend Chuck, played matter-of-factly by Weitz, and he is totally bizarre, yet sympathetic and caring. Lack of maturity or not, nothing has inhibited his creativity; in fact, he writes an allegory about the boy/gay friendship, works to get it produced at an Equity-waiver theater and even stalks Chuck in an attempt to get him to come see it. Chuck, unlike Buck, has matured, is a successful record producer and engaged to be married. Buck is a painful reminder to him of what he once was, and of what he wants, or thinks he wants, to obliterate from his mind.
Both performances are very good, especially White's, and there is also terrific support from a favorite actress of mine - Lupe Ontiveros, so underrated - who plays the house manager at the small theater. She is so real and loving, and her friendship with Buck helps him eventually find his center, changing his life for the better. Paul Weitz, real-life brother of Chris Weitz, plays Sam, the actor who looks so much like Chuck to Buck that he casts him in his play. Interesting note: both Weitz boys are the sons of 50s/60s Academy Award nominated actress Susan Kohner.
I enjoy the intimacy achieved here by White's intelligent script and also by Miguel Arteta's sensitive direction.
White is not afraid to expose himself for who he is, even in his most fragile moments, and his slow transformation to manhood is surprisingly appealing.
Don't miss this little chestnut from the year 2000!
written by Mike White
directed by Miguel Arteta
starring (pictured) Mike White & Chris Weitz
Chuck and Buck is an indie frequently screened on Logo. The last time I watched, it was more mesmerizing to me than usual. I saw beyond the expected.
Obviously, White's character Buck is an underdog, a poor half-child who has never made it out of the time capsule in which he has been living his empty life. His mother has died, he's alone with the fantasy of a continued intimate relationship with his boyhood friend Chuck, played matter-of-factly by Weitz, and he is totally bizarre, yet sympathetic and caring. Lack of maturity or not, nothing has inhibited his creativity; in fact, he writes an allegory about the boy/gay friendship, works to get it produced at an Equity-waiver theater and even stalks Chuck in an attempt to get him to come see it. Chuck, unlike Buck, has matured, is a successful record producer and engaged to be married. Buck is a painful reminder to him of what he once was, and of what he wants, or thinks he wants, to obliterate from his mind.
Both performances are very good, especially White's, and there is also terrific support from a favorite actress of mine - Lupe Ontiveros, so underrated - who plays the house manager at the small theater. She is so real and loving, and her friendship with Buck helps him eventually find his center, changing his life for the better. Paul Weitz, real-life brother of Chris Weitz, plays Sam, the actor who looks so much like Chuck to Buck that he casts him in his play. Interesting note: both Weitz boys are the sons of 50s/60s Academy Award nominated actress Susan Kohner.
I enjoy the intimacy achieved here by White's intelligent script and also by Miguel Arteta's sensitive direction.
White is not afraid to expose himself for who he is, even in his most fragile moments, and his slow transformation to manhood is surprisingly appealing.
Don't miss this little chestnut from the year 2000!
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